Balaam’s Donkey is a Denver-based classic rock band, and they commissioned us to produce a logo for their band.  The logo imagery was to be, not surprisingly, a donkey.  In keeping with the light-hearted, cheeky personality of the band, we decided to create a logo with a bright, cartoon-like feel to it.  We started out by making several pencil sketches of the donkey until we had a sketch that we were satisfied with.

Our finalized donkey sketch

After we had a finalized sketch, we scanned it into the computer and traced it out in Adobe Illustrator.  First we drew it out as a series of fixed-stroke-width lines.  Then we converted the stroked lines to solid shapes so that we could refine the line thickness.  That way we could transform the chunky, single-thickness line drawing into something a bit more elegant, as you can see in the below example for the lines of the donkey ears:

The donkey ears before and after we manually adjusted the line thickness

We worked on the Illustrator drawing like this until we produced the final black and white version of the logo, seen below.

The finished logo in black and white

After that we started adding in color and shading…

Added the background…

And finally added a subtle drop shadow between the donkey and the background to give the illustration some dimension.

After this was finished, it was time to choose an appropriate typeface to match the illustration.  In logo work, when the lettering is such a prominent part of the visual design — and indeed sometimes the only component of the visual design — finding an appropriate typeface is of utmost importance.  We needed a typeface that was both solid and easy to read, but still with a bit of a whimsical flavor to it.  It took a lot of experimentation to find an appropriate typeface, and we looked at many different typefaces side by side.

Some of typeface finalists that we considered

Finally, after choosing an appropriate typeface, we had our finalized logo.

Balaam’s Donkey was very pleased with their new logo and will be using it on all their official band materials from here on out.  We enjoyed working with them and wish them the best of success in their musical endeavors.  Whenever Balaam’s Donkey needs additional graphic design and web design work in the future, we at Chris Strom, LLC will be happy to work with them again.

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The finished ARMY360 logo

Recently we pulled out some of the doodles we had made as we was brainstorming the visual identity of the ARMY360 software application for InVisM and figured we’d share some of them on our website.

As stated in the project description, the design spec simply listed the product name and called for an ellipsoid, “360°” shape.  Given that this application was built specifically for the US Army, we turned to imagery of military crests, medallions and patches — such as these — for most of our brainstorming.  We also added in part of the application interface — the 360° directional marker — and added it to the center of the image.  The bottom center sketch below became the basis for the final logo.

Various sketches made while brainstorming

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The official logo for InVisM, Inc.

This past six weeks has brought a lot of big changes around here. In addition to some big projects such as the ClearPivot logo and accompanying website design and some other projects we haven’t yet talked about, the biggest recent news is that I (Chris Strom) have accepted a full-time position as Senior Graphic Artist at a company called InVisM.  InVisM (formerly called Intelligence Gaming) is a Denver-based startup company that makes simulation and training products.  Our clientele up to now has been primarily in the government and military, and now we’re beginning to branch out into the commercial sector. The company has very aggressive growth plans, and—despite the state of the economy right now—is actually well on the way to achieving those goals.

So what does my job as Senior Graphic artist consist of? Maybe a better question is: what doesn’t it consist of? Since I’ve started, I’ve covered the gamut of graphic arts and production: web design, print design, logo and identity design, video and animation design, branding, DVD production, Flash, HTML, XML, jQuery, licensing and copyright issues, you name it.  Heck, I even chose the colors for the wall paint (we are a startup, after all).

I’m still doing some side work that I’ll feature on www.cstrom.com; in fact, I’ll be launching two new websites over the next 4–8 weeks.  And I’ll still update this blog when I can—though, of course, the frequency of updates will slower than before.  In the meantime, come visit our newly launched InVisM website, designed by myself, of course.  I’ll have to write about the design and implementation process for the site—there’s a bit of story behind that.  Maybe in the next one or two blog postings…

www.invism.com

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Wow, things have been busy around here recently.  Lots of work flying around these days it seems like.  One of our most recent projects was designing the identity, branding and website for ClearPivot, LLC, a Denver-based startup company that specializes in marketing metrics and analysis applications.

CLEAR = transparency in numbers, encouraging other parties to view and interpret the data, not hiding anything; open
PIVOT = swiveling from the data to the business (& back); the data provides information on the programs which in turn should align with the business goals; flexible; versatile
CLEAR + PIVOT= CLEARPIVOT

First part of the project was designing the corporate logo.  Working with ClearPivot’s CEO, Greg Davoll, we worked up many different possible logo drafts and discussed them with him.  During the creative process, we started out with rather complex logo design drafts but gradually began migrating towards more minimal, understated designs that concisely expressed the meaning of ClearPivot.  Finally we arrived at the current logo:

The final ClearPivot logo design

The clean simplicity of the logo illustrates the clear, open and transparent nature of ClearPivot’s product and business philosophy. The stylized “P,” of course, represents swiveling and pivoting, illustrating ClearPivot’s marketing metrics philosophy of aligning marketing data with business goals, which in turn pivots back to more marketing data.

After the logo was finalized, the next step was designing and building the website.  (As the web is increasingly becoming the foundation of companies’ marketing strategies, corporate websites are more and more the first priority when building a marketing campaign, second only to the brand identity itself.)

As with the logo, we increasingly focused on producing a clean, understated, yet still eye-catching site.  We decided on a color combination of predominantly white, gray and blue, (with a few other highlight colors for good measure) and a very organic feel in the visual forms.

The homepage for www.ClearPivot.com

The website is both visually and structurally flexible enough to grow with the company—as ClearPivot expands its range of products and services, so too can the website expand with additional content.  In addition, we paid special attention to the top banner on the homepage: focusing on bold marketing points, an attention-grabbing visual design, and strong calls to action (See It, Try It, Contact Us).

So come check out ClearPivot at www.ClearPivot.com.  As always, we’d love to hear some feedback: you can write to us on our contact form, or just leave a comment below.

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